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To rule over the charts, the faultfinders, and the avenues, a hip-hop star with pop desire must be everything to everybody while hanging on tight to their personality. This exercise in careful control is particularly unforgiving for ladies, and Nicki Minaj has battled with these twofold principles and out of this world desires for over 10 years. Her biggest chart triumphs have accompanied tunes like 2014’s bawdy “Anaconda,” and the bubbling “Super Bass” from her 2010 introduction, yet there are as yet ceaseless requires some blend of the take-no-detainees growl of her breakout verse on “Creature” and genuine craftsmanship made up of reflection and development. In any case, with Queen, Nicki casts off all the business franticness, overwhelms the clamor, and makes rap the manner in which she trusts it should sound.
Because of hip-hop’s sexist, each one in turn top on ladies overwhelming the class, this is the first run through Nicki has ever discharged a collection with another financially effective lady likewise climbing rap’s positions. What’s more, whatever weight—regardless of whether genuine or onlooker anticipated—is there, she meets the challenge at hand with Queen, her most rap-arranged full-length to date. Never missing for magnetism and disposition, her streams and rhythms are a hurricane of imposing animosity and bobbing activity. She sends shots toward each path (“Don’t dodge on the off chance that it don’t have any significant bearing,” she jeers on one track) with the certainty of a lady holding court in a kingdom she won. From Michael Jackson to Sizzla to Patti Labelle, she drops such a significant number of names and references that somebody could get a mostly good music (design and games as well) exercise on the off chance that they Googled them all. They spill out as both loving praises and a demonstration of her powerful way of life. DJ Hustle
]]>6ix9ine, the questionable star delivered the Nicki Minaj-helped “FEFE” video on Sunday (July 22). The combine of NYC locals travel to a dynamic setting and appreciate different desserts all through the Candy Land-motivated clasp. Figure Eight Creative Group’s TrifeDrew and William Asher steerage the visual’s masterful bearing.
Nicki and Tekashi take things back to their youth days for an odd opening scene highlighting the two playing a round of Patty Cake on the inflatable filled set. The 22-year-old kicks his verse off bound in a cheetah print best and some pink shorts. Murda Beatz, who co-created the tune, likewise makes a short appearance holding a rock solid water weapon. HustleTV
Minaj seductively reintroduces herself soon after the one-minute stamp, certainly yelling out 6ix9ine’s Treyway posse. She backs off her stream for a reviving methodology amid the expanded appearance. The couple sit vis-à-vis by and by and give each other’s frozen yogurt a taste with their arms interlocked.
The video’s discharge comes hung in contention, as 6ix9ine was supposedly hospitalized after an affirmed ruthless & brutal kidnapping attempt following a Brooklyn video shoot in the small long periods of Sunday morning (July 22). TMZ has additionally expressed that Tekashi’s describe of the fight to law authorization is fundamentally extraordinary contrasted with their underlying report. DJ Hustle
]]>After months of rambunctious, outlandish, thought-provoking tweet rants, and photographs,
Kanye West released his eighth studio album, “ye.” Within the last couple months, Kanye has
been engulfed in the media with his various, rapid tweets, disturbing word selection during his
live visit to TMZ, and his announcement of all the expected projects to come this summer (Cudi,
Nas, Teyana Taylor, Pusha T, and himself). While many have deemed the artist cancelled and
have shown their disdain for his thoughts, politics, and overall personality, the “genius” himself
managed yet again to do what he always does, bring attention to himself right on time for his
music release. Following that of G.O.O.D. Music signee Pusha T’s Daytona, ye is also
comprised of only 7 songs making for a 23-minute listen. The cover, shot from Kanye’s phone
mere hours before his listening party, features the Wyoming mountains with a message saying, “I
hate being Bi-Polar it’s awesome.”
Since the album is only 7 songs, it is fairly easy to listen to the project in its entirety. I mean, it’s
only about 25 minutes of your time. Over shadowy instrumentation and production the concise
album begins with a very clear yet disturbing message – “Today, I seriously thought about
killing you… I contemplated, premediated murder.” says Ye. He goes on to reiterate that he has
also thought of killing himself and the fact that he loves himself way more than his adversary
(whoever that is). As the first song begins, the atmosphere is fairly set with what the rest of this
“album” will feel like. The production relays TLOP vibes. Half of the song is just Kanye talking
in a distorted voice, saying this same message over and over. As we reach the second half of the
song, the first thing that grabs your attention is indeed the Ye’s production. DJ Hustle

“Trump-Ye’s” (as a friend of mine continuously has deemed this current era of Kanye)
production skills are clearly still unmatched and immaculate to say the least. The beat switches
midway as Ye swiftly raps about Ye season, being broke, and how speaking on his name will,
“get your tooth chipped like Frito-Lay.” The lyrics are very… fundamental. They do not offer
much of a story, but the highlight would definitely be the production. Trump Ye quickly reminds
everyone, fans or haters that his creativity and composition skills never left.
The next song and the first standout track, “Yikes” echoes vibes from TLOP’s “Wolves” track
with a twist. Continuing this dark, eerie theme, Kanye begins the record singing, “Sh*t could get
menacing, frightening, find help // Sometimes I scare myself, myself.” Again, the production is
impressive. Personally, I feel like Ye was in his bag on this record and was delivering some of
his trademark flow on the track. This time around he does deliver a couple of noticeable bars.
Firstly, he digs at himself and his recent visit to TMZ with lyrics such as, “Yeezy, Yeezy trollin
OD, huh? // Turn TMZ to Smack DVD, huh?” He surprisingly brings up Russell Simmons and
the #MeToo scandal, “Russel Simmons wanna pray for me too // I’ma pray for him ‘cause he got
#MeToo’d // Thinkin’ what if that happened to me too, then I’m on E! News.” Of course, it
would not be a Ye record without a few cocky lines to just remind the people of who he is and all
the girls he’s ever had. He gets personal even discussing being on meds and his bipolar disability
being a superpower rather than a hinderance.
Yeezy really takes it up a notch with his production on “All Mine,” a personal favorite of the
project. With help from Ty Dolla $ign and Valee, the song is definitely a banger. Here Kanye
references the drama between his sister-in-law, Khloe Kardashian, and her baby’s daddy,
Cleveland Cavaliers player, Tristan Thompson. Again, the flow and lyricism deliver trademark
Kanye feels. It’s raw and uncut. He says exactly what he feels in the most unapologetic form
possible. He starts “talking that sh*t” some might say. He was feeling himself and you can hear
it in the song. “Wouldn’t Leave” meshes artists, Jeremih, PartyNextDoor, and Ty Dolla $ign’s
voices all into one harmony. Ye pays homage to his wife, Kim Kardashian-West for staying by
his side through all of his messy shenanigans. He also alludes back to his reckless social media
posts and again, his words at TMZ and how they caused Kim to panic, “Just imagine if they
caught me on a wild day // Now I’m on fifty blogs gettin’ fifty calls. // My wife callin’, sceamin’,
say, “We bout to lose it all” // Had to calm her down ‘cause she couldn’t breathe// Told her she
could leave me now, but she wouldn’t leave.
“No Mistakes” delivers a classic Ye vibe. Another standout from the album, “No Mistake” relays
MBDTF appeal along with a hint of Graduation. Kid Cudi, Charlie Wilson, and Ye make pure
magic with the record. Wilson’s vocals are strong and out of this world, Ye’s production
continues to shine effortlessly and the record is immensely catchy. Kanye’s flow is probably at
its best here. The song is beautiful and definitely one of those diamonds in the rough. “Ghost
Town” makes for a good listen because of the behind the scenes charm. John Legend, Kid Cudi,
and G.O.O.D.’s newest signee 070 Shake come together with Ye to create this grungy,
revolutionary styled record that instantly makes me think of the group, Fun’s “We Are Young”
record. Kanye’s presence as far as rapping and delivery is not truly important here. He acts more
as the engineer here while the others deliver.
Ye’s last song, “Violent Crimes” finds Ye rapping about his baby girl, North. He raps about the
fears of his daughter growing. With the help of Nicki Minaj, 070 Shake, and Ty Dolla, the song
shows a more vulnerable side of Kanye. We not only hear his thoughts but visualize them as
well. He raps about how at age 40, he no longer looks at woman as an item to conquer but rather
a being to nurture and protect. He talks about how men are pimps, players, dogs, and any other
names under the sun. He has some playful lines and some heavy imagery as well. The song ends
with a voicemail from Nicki the Ninja as she tells Ye how she visualized the “I hope she like
Nicki I’ll make her a monster” line to be delivered.
Overall, ye is not a bad album, but I would never jump the gun to call this album a classic…
Having played the album over half a dozen times, it has some shining moments with 3, maybe 4
standout songs. From the samples and beat selection, to the composition and choice of artist for
each tune, the production is flawless. Mike Dean, Benny Blanco, Francis & the Lights, Che
Pope, and Mr. West himself truly outdid themselves here. The sounds stand out more than
anything else on this project. All in all, it’s not that great / monumental as everyone has tried to
make it out to be. As an actual Kanye West fan, it was not what I expected. Maybe my
expectations were set to high but the album did not really grab me by the throat on the first few
listens. Each song has some memorable aspect to it as far as certain lines and bars, but the project
as a whole does not really tell much of a story. Many of the lyrics are basic and repetitive. It does
not really answer anything at all. The “story” here is just a somewhat more in-depth summary of
everything we have witnessed from Ye during these last few months. We see that he brings up
the TMZ situation, his rants, and even family matters with Khloe and Tristan, but besides that,
there is nothing more. No, it does not make you think of any of Kanye’s first few albums. It does
have moments of classic appeal but the entire project falls short of that legendary, timeless
Kanye that we have been so desperately longing for. Now, as Kanye West the producer, the
album gets a pure A+. Besides that, the album is nothing more or less than cool. HustleTV
Written By
Joseph Gaither
]]>Gotti is back and better than ever with his newest project, I Still Am! Released on Friday (Oct.
27), I Still Am follows 2013’s highly successful I Am project and instantly picks up right where it
left listeners. He remains true to himself and fulfills on his ninth studio album. As expected, the
album is fueled with nothing but bangers from the second the first song plays to its ending track.
The 13 tracked LP features the talents of Chris Brown, Meek Mill, Nicki Minaj, 21 Savage, and
more.
The album is very genuine and fresh. Gotti speaks on topics ranging from his past life, loyalty,
trials, tribulations, and growth. Just as the album’s title, the Tennessee heavyweight makes it
clear that he is indeed still here, regardless of all the situations and obstacles that try to reinforce
themselves in his life, the people who have come and gone, he is here to stay.
The production on the album is quite impressive. I Still Am contains a variety of sounds. In one
moment listeners are taken to church with “Back Gate,” the next moment they are instantly
transported into a Maybach riding through the hood as they listen to “Around the World.” The
production definitely ups the versatility factor and helps to elevate Gotti as an artist.
The first stand out of the album arrives with “Back Gate!” The production on this record is truly
insane as Gotti enlists a choir in the background as he raps about the trap. It is as if the church
meets the trap and meshes together in a sort of symbiotic relationship. Gotti serves nothing but
heat with his raw lyrics and clean execution. DJ Hustle

Of course, the album’s lead single, the Nicki Minaj assisted “Rake It Up” is an instant banger
that will have women from everywhere on their feet ready to deliver their best twerk and even
better Nicki impression as they rap her verse, but “Juice’ is a definitely a close second as it is
literally just as upbeat and energetic. The chorus is contagious and the beat packs nice punch.
Gotti is great with forming choruses that stick and make you want to just party all night long.
The Memphis rapper switches the tone for a more serious side with “Different.” He speaks on
how many people change up on him and try to make him feel different because of his success.
This song is one of the more relatable tracks just as many can relate to the feeling of having
people switch up or call you different for doing you and leveling up your life.
“Save It for Me” is a more smoother record for the ladies. Chris Brown delivers an immaculate
chorus that will have everyone singing as they record plays and Gotti talks that talk about having
the one whom you have always desired but some type of roadblock always formed.
The second half of the project holds hard hitting records that DJ’s and clubs all over will have a
field day with such as the French Montana assisted anthem, “Oh Yeah,” and “Yellow Tape,”
featuring, 21 Savage.
This album shows that Gotti really deserves more credit and attention than what he has received
and definitely places him up there with some of the other trapoholic greats.
I Still Am, tells Gotti’s story of his success, his growth, and his struggle with slipping back into
his past life. The rawness and authenticity of the album will make listeners appreciate the project
and truly relate to the words flowing from Gotti’s mouth. The album hits topics that strike with
fans and listeners while also providing them music that they can get hype to.
Well done Gotti, you have proven yourself yet again.
I Still Am is available on streaming music services, and iTunes!
Written By
Joseph Gaither
]]>
The charismatic group has been relentlessly teasing their upcoming “Culture 2” album with
snippets, Instagram posts and more, but finally, we are receiving a taste of what to expect with
this upcoming project. With previews of a fire collaboration featuring both the likes of both the
queen, Nicki Minaj and the Bronx sensation, Cardi B, yesterday via social media, Migos is back
with an instant banger entitled “Motor Sport!” Released earlier this morning on the Breakfast
Club, the track is most definitely worth the time and listen.
Honestly, who would have thought in a million years that the world would ever hear Nicki
Minaj, Migos and Cardi B on a track together? If you answered, “no one” then you are
absolutely correct! The hit begins with Migos setting the atmosphere for the song.

Each member contains such a flavor that it can be missed if one does not pay attention to the
lyrics and flow. They all serve up hot bars, clever punchlines, and do it easily, while also adding
their own personal touches to make themselves stand out amongst one another. As usual, Quavo
immediately comes through with such a contagious chorus that it has listeners rolling their
shoulders like Lil Uzi for the remainder of the song.
“Motorsport, yeah, put that thing in sports (skrrt, skrrt)
Shawty bad (bad), pop her like a cork (pop it)
You a dork, never been a sport (dork, yeah)
Pull up (woo, woo), jumpin’ out the court (court, jump)”
(lyrics courtesy of Genius)

With what sounds like bells on top of a heavy bass booming beat, the production is very clean
and high-tech. It matches each of the members’ flows and truly makes their lyrics pop out more.
Filled braggadocios lyrics, entertaining bars, and adlibs that cannot be touched by any other
group, Migos certainly makes their presence known before Cardi storms through with her
scorching verse.
Cardi brings the sex appeal into the song as she raps about how she pleasures her man and does it
well She switches gears and proceeds to address the haters claiming that she acts different now
that she has bossed her life up and leveled up in many ways. Following her boo, Offset, she also
brings the same cocky swagger into her verse as she raps,
“Same h*es, that was sendin’ shots
They reachin’ out like their back itchin’
Why would I hop in some beef (why?)
When I could just hop in a Porsche?”
You heard she gon’ do what from who?
That’s not a reliable source, no”
(lyrics courtesy of Genius)

Before reaching the song’s end, the vet, Nicki the Ninja steps up to bat, and painlessly hits a
homerun. With much animation, swift metaphors (that may not be caught on first listen), and
cockiness, Nicki quickly gathers her haters and reminds all of them why she has run the Hip-Hop
game for as long as she has.
“Uh, yo, watch your man, then you should watch your mouth
B****es is pressed, administer mouth to mouth
You see them stats, you know, what I am about
I am the champ, I’m Iron Mike in a bout
Attention, I’ma need you to face front”
(lyrics courtesy of Genius)
Motor Sport delivers a theme of confidence and somewhat cockiness. From production, to lyrics,
to pure delivery, it makes listeners want to boss up on whoever tried to downplay them or carry
them. The song is perfect for the radio, the club, the next major function, the ride to and from the
function, and much more. Not only do Migos know how to make great records they also create
great collaborations appreciated by fans, listeners, and even other artists.
Motor Sport is now available on streaming services and iTunes. If you have not yet listened, do
it… right now! DJ Hustle
Written By Joseph Gaither
]]>